My work begins with drawing. Through repetition and improvisation, marks accumulate into energetic fields whose forms move between the corporeal and the imagined. Scale and reference remain unstable: the intimate can become architectural, the microscopic vast. Within this ambiguity, something strange and universal begins to surface.
I work through accumulation rather than reduction. Forms gather until they produce their own internal logic, creating dense, mystic environments in which meaning continually emerges and recedes. Structure gives way to intuition and control to surrender. The work becomes a form of sustained attention—a place where meditation and play become indistinguishable.